ON SALE
JANUARY 2018
“Hermione Hoby makes writing seems
effortless. She writes as if Neon in
Daylight is her hundredth novel, not
her first. Her descriptions of both
outside scenes and inner lives are
sharp and perfect. New York is the
city that produces infinite fodder
for writers, but there are only a few
novels that prove we need yet another
New York book. Neon in Daylight is
most definitely one of them.”
―Anton Bogomazov,
Politics & Prose (Washington, D.C.)
Pub Weekly ad for NEON IN DAYLIGHT.indd 1 10/19/17 11: 59 AM
www.alicejamesbooks.org
EDITED BY
CHRISTOPH KELLER
& JAN HELLER LEVI
INTRODUCTION BY
RACHEL ELIZA GRIFFITHS
September 2017
$24.95 | paperback
978-1-938584-35-0
eBook Available
“This book is not just a
collection of figurative
words; it is a tool for
liberation.”
—Aja Monet,
Publishers Weekly
Starred Review
Alice James Books is an affilate of the
University of Maine at Farmington.
several miles and more than a billion
years: the girl is magically transported to
various points in the region’s vast history
as Chin takes readers through the layers
of the canyon’s past.
Her Right Foot
Dave Eggers, illus. by Shawn Harris
(Chronicle)
The Statue of Liberty’s torch and
crown get plenty of attention. Eggers is
more interested in the fact that her right
foot is raised: “That’s right! She is going
somewhere! She is on the move!” The
point, more crucial than
ever, is that freedom isn’t
static or automatic—it
requires effort, action, and
forward momentum.
The Little Red Cat Who
Ran Away and Learned
His ABC’s (the Hard Way)
Patrick McDonnell (Little, Brown)
It’s an alphabet book, it’s a guessing
game, it’s a wild goose chase! (Minus the
goose.) Using the letters of the alphabet
as his only text, McDonnell sends the
eponymous cat on a misadventure, in
which it’s set upon by an alligator (for a),
bear (for b), and other creatures in a
whirlwind escapade that leads up to—
what else?—Zzzzzzzzzzz.
Mama Lion Wins the Race
Jon J Muth (Scholastic Press)
Leave it to the creator of Zen Shorts and
its sequels to transform a twisty-turny
road race into a contemplation of kindness, good sportsmanship, and what
winning truly looks like. Even so, Muth
doesn’t skimp on automotive action, and
readers will love following his animal
characters’ retro racers through the
lushly painted landscapes.
The Rooster Who Would Not
Be Quiet!
Carmen Agra Deedy, illus. by Eugene
Yelchin (Scholastic Press)
After a mayor’s rules turn a vibrant
town into a silent place of fear and sad-
ness, a rooster refuses to give in, and
others soon join his cause. Available in
English and bilingual Spanish-English
editions, Deedy and Yelchin’s allegory
vividly illustrates the power of using
one’s voice to stand up to oppression.
Soldier Song:
A True Story of the Civil War
Debbie Levy, illus. by Gilbert Ford
(Disney-Hyperion)
Levy and Ford thoughtfully explore
the role of music during the U.S. Civil
War, including how it was used to
inspire, unify, and divide. “Whether
Billy Yank or Johnny Reb,
the soldiers heard the same
bugle calls, fife melodies,
and drumbeats,” Levy writes.
“After all, just the year
before, they had all been part
of one, united country.”
What Does Baby Want?
Tupera Tupera (Phaidon)
A baby’s head fills the circular pages
of this board book, and the baby is not
happy. When its mother realizes what
her child is after—it’s time for breastfeeding—the genius of the book’s design
is revealed (among other things).
Breastfeeding in public remains a touchy
subject and children’s books can be skittish around nudity, but neither is an
issue for this smart, defiant book.
When’s My Birthday?
Julie Fogliano, illus. by Christian Robinson
(Roaring Brook/Porter)
Birthdays are generally jubilant affairs
in the life of a child, and this poetic
tribute fits the occasion to a T, powered
by a child’s wishes and questions (“will
it never be my birthday?/ is it almost
happy birthday?/ happy day to me and
me?”) and by Robinson’s bold, childlike
collages.
Why Am I Me?
Paige Britt, illus. by Sean Qualls and Selina
Alko (Scholastic Press)
Deceptively simple questions of identity course through Britt’s contemplative offering. “If I were someone else,